“Twenty
years ago, synesthesia — the automatic joining of two or more senses —
was regarded by scientists (if at all) as a rare curiosity. Now it
may well be the basis for human imagination and metaphor.
— Richard E. Cytowic http://bit.ly/4INDOw —
— "Kandinsky is painting music. That is to say, he has broken down
the barrier between music and painting, and has isolated the pure
emotion which, for want of a better name, we call the artistic emotion.
Anyone who has listened to good music with any enjoyment will admit to
an unmistakable but quite indefinable thrill. He will not be able, with
sincerity, to say that such a passage gave him such visual impressions,
or such a harmony roused in him such emotions. The effect of music is
too subtle for words. And the same with this painting of Kandinsky's.
— Michael Sadler'S introduction to Kandinsky. http://bit.ly/amaLyg —
A Dresden doctor relates of one of his patients, whom he designates as an exceptionally sensitive person, and describes that he could not eat a certain sauce without tasting "blue," i.e. without experiencing a feeling of seeing a blue color. The author also discusses the hearing of colour. It would be possible to suggest, by way of explanation of this, that in highly sensitive people, the way to the soul is so direct and the soul itself so impressionable, that any impression of taste communicates itself immediately to the soul, and thence to the other organs of sense (in this case, the eyes). This would imply an echo or reverberation, such as occurs sometimes in musical instruments which, without being touched, sound in harmony with some other instrument struck at the moment. But not only with taste has sight been known to work in harmony. Many colours have been described as rough or sticky, others as smooth and uniform, so that one feels inclined to stroke them. Equally the distinction between warm and cold colours belongs to this connection. Some colours appear soft, others hard, so that even fresh from the tube they seem to be dry. Also unmusical children have been successfully helped to play the piano by quoting a parallel in colour.
— Wassily Kandinsky: "Concerning the Spiritual in Art" (Über das Geistige in der Kunst, 1911) —
No comments:
Post a Comment